Liverpool Mountain (Rondinone, 2018) is a 10-metre high sculpture situated outside Tate Liverpool in the heart of Liverpool’ historic waterfront. It consists of five vertically stacked rocks painted in bright fluorescent colours. The rocks are balanced to appear to defy gravity and contrasts strongly against the more muted colours of the Liverpool buildings and sky. It is thought to be reminiscent of ancient totems and has a land art feel to it too. It has taken a natural material of rock and placed it in a very unnatural position with manmade colour added.
Ugo Rondinone is a Swiss-born artist now based in New York. Liverpool Mountain is part of his Seven Magic Mountains project in Nevada and Miami.
The work has been described as being “instragammable” and I can see why. It is imposing, seeks attention and cries out for its photo taken.
It contrasts with other land art I have seen and am aware of. This isn’t made to feel part of the natural world, the opposite. To me, it suggests a reflection on human’s interference with the land. The artist has taken natural rocks and stripped away all their natural beauty to make something that looks artificial. I think this also plays into the “Instagram” appeal as isn’t that what we do on social media. We take natural beauty and cover it in artificial filters to the point sometimes the original person no longer resembles their online image.